We value your privacy and want to make sure you understand how we use cookies on our website. We use session cookies to help us deliver our services and provide a better user experience. We also use Google Ads to serve personalized advertisements.
By clicking 'Agree,' you are giving us your consent to use these cookies. You can withdraw your consent at any time by adjusting your cookie preferences in your browser settings.
For more information about the types of cookies we use and how we process your personal data, please refer to our Privacy Policy.
HANGING ON A STAR (TIME OF NO REPLY version - see below for MADE TO LOVE MAGIC version) Tuning BbFBbEbBbD (like CGCFCE but lower) no capo This song involves some very simple chord shapes, but the picking varies in detail all over the place. So as usual, here's one version of the major ideas, but you should take it perhaps as a guide rather than as gospel. "A" |----------------| |--0--0--0--0--0-| |--0--0--0--0--0-| |---00-00-00-00-0| |--0--0--0--0--0-| |0---------------| "B" |----------------|---1-0-------0--| |---0-0--0----0--|-0-0-0--0----0--| |---0-0--0----2--|0--0-0--2----2--| |---0-0--0----0--|-0----0-0-0-0-0-| |--5-3-32-220--0-|2-2-2---0--0----| |0-----------0--0|-------0-------0| "C" "D" |-----0--| |0---0--0| |--0--0--| |0---0--0| |--0--0--| |2---2--2| |0--0--0-| |--0--0--| |-02-2--0| |---0--00| |--------| |0-------| the song begins AABBCDC and then we hit the verse: |------(0)------(|0)------0--0--0-| |-0--0--| |0---0--0--0--0--|0---0---0--0--0-| (rpt last |-0--0--| |2---2--2--2--2--|2---2---0--0--0-| bar twice) |-0--0--| |--0--0--0--0--0-|--0--0-----0--0-| |-0--0--| |---0--0--0--0--0|---0--0-2-2-22-2| |2-22-20| |0---0--0--0--0--|0---0--0--------| |-------| * |----0--------10-|-------------0--| |0---0--0-----0-0|0---0--0--0--0--| (rpt last |2---2--2----0---|2---2--2--0--0--| bar) |--0--0--0--0----|--0--0--0--0--0-| |---0--0--02-----|---0--0--02-2--0| |0---0--0--------|0---0--0--------| Second verse as first verse up to *. then: |----0-----------| |0---0--0--0--0--| |2---2--2--2--2--| |--0--0--0--0----| |---0--0--0--0-0-| |0---0--0--0--0-0| here we get four lots of B, with variations, most of which I'll ignore; however, the 3rd and 4th times through, the second bar begins: |-------- |--0-0-0- |--0-0-0- |--0-0-0- |25-9-x-0 (where x is 10) |-------- after some C and D sections we get the last verse, which ends by repeating the last bar with top string variations (1's and 3's) too boring to repeat here. ********************************************************************* MADE TO LOVE MAGIC version Tuning CGCFCE (not tuned down to Bb as above) no capo INTRO |----------------|0---------------| |--------0-------|--------0-------| |-----0-------0--|-----0-------0--| x2 |---0-------0----|---0-------0----| |--5---5---5---5-|--5---5---5---5-| |0---0---0---0---|0---0---0---0---| (the open F needs to almost disappear when the higher notes are played; if it rings too long you can either damp it a bit or play the higher notes a bit more strongly) h |----------------|----------------| |-------------0--|----------------| |-----0---0------|-0---0--02---2--| |---0---0---0---0|---0---0---0----| |--5---5---3---3-|--2---2---0---0-| |0---0---0---0---|0---0---0---0---| p h |--------10------|----------------| |-----------0----|--------0-------| |0----0-------0--|02---2-------0--|(*last note on F string is a 2 when going into verse) |---0---0--------|---0-------0----| |--2---2---2---2-|--0---0---0---0-| |0---0---0---0---|0---0---0---0---| rpt last four bars VERSE main patterns: |----------------|0---------------| |--------0-------|--------0-------| |-----2-------2--|-----2-------2--| |---0-------0----|---0-------0----| |--0---0---0---0-|--0---0---0---0-| |0---0---0---0---|0---0---0---0---| and p |--------10------|----------------| |-----------0----|--------0-------| |-----0-------0--|02---2-------2--| |---0------------|---0-------0----| |--2---2---2---2-|--0---0---0---0-| |0---0---0---0---|0---0---0---0---| (quite a few small variations of course) INSTRUMENTAL BIT AFTER V2 contains this variation: p |--------10------|0---------------| |-----------0-2--|--------0-------| |-----0----------|-----2-------2--| |---0------------|---0---0---0----| |--2---2---2---2-|--0---0---0---0-| |0---0---0---0---|0---0---0---0---| and also then this: h |----------------|----------------| |----------------|--------0-------| |-0---0---0---0--|02---2-------2--| |---0---0---0---0|---0-------0----| |--2---5---9---x-|--0---0---0---0-| x=10 |0---0---0---0---|0---0---0---0---| (the notes on the G string slide up) next verse is pretty much as before but with a few open top E strings thrown in here and there then another instrumental bit, ending: h h h h |----------------|----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------|--------0-------| |2----4--02---2--|02---4--2----0--|02---0--0----0--|2----0--0----0--|02---2-------2--| |---0---0---0----|---0---0---0---0|---0---4---0----|---0---4---0----|---0---0---0---0| |--0---0---0---0-|--0---0---0---0-|--0---0---0---0-|--0---0---0---0-|--0---0---0---0-| |0---0---0---0---|0---0---0---0---|0---0---0---0---|0---0---0---0---|0---0---0---0---| p p p |--------10-30---|----------------|--------10------|----------------| |-------------0--|--------0-------|-----------0-2--|0-------0-------| |0----0----------|02---2-------2--|0----0----------|-----2-------2--| |---0---0-------0|---0-------0----|---0------------|---0---0---0----| |--2---2---2---2-|--0---0---0---0-|--2---2---2---2-|--0---0---0---0-| |0---0---0---0---|0---0---0---0---|0---0---0---0---|0---0---0---0---| p p |--------10-30---|----------------|----------------|----------------| |0------------0--|--------0-------|0-------0-------|0-------0-------| |-----0----------|02---2-------2--|-0---0---0---0--|-0---0---0---0--| |---0---0-------0|---0-------0----|---0---0---0---0|---0---0---0---0| |--2---2---2---2-|--0---0---0---0-|--2---2---2---2-|--2---2---2---2-| |0---0---0---0---|0---0---0---0---|0---0---0---0---|0---0---0---0---| * * (* - fret the G string 2nd fret hard so you hear it even though it's not plucked, just to underline the chord change) and finally h |-----0----------| |--------0-------| |02-----------2--| |---0-------0---0| 3 and a half times |--0---0---0---0-| |0---0---0---0---| Tabbed by Chris Healey